Hi
This is the building I want to map and as you can see the pillars and arches are further forward than the rest of the building.
I will be using either 3 x 8,500 lumen or 4 x 7500 lumen. (either 2 x 2 or alternatively 3x1 portrait)
If I blend to the front surface the "cross-over point" will be out at the back.
Im not sure which direction to take.
I note that in Isadora a projector can't be assigned to multiple stages.
Is there a solution within izzy?
Should I consider syphon through to either Qlab or Madmapper
The event is in 2 weeks so I am a little daunted by what Ive taken on
Regards
Jim.
@eva said:
if I have multiple video actors in a stage running in the background, that I have activated through the "activate scene"-actor, is there then a way to controll that scene, concretely when the videos start if I am running a show in another scene?
Yes.
FILE DOWNLOAD: https://www.dropbox.com/scl/fo/hx3x0pq568up5muyekw8o/h?rlkey=rxqp3wxznkcprjveetmx07hvj&dl=0
"Control" Scene
Background Scene
Hi @woland
So, my question is, if I have multiple video actors in a stage running in the background, that I have activated through the "activate scene"-actor, is there then a way to controll that scene, concretely when the videos start if I am running a show in another scene?
I can try and post an example.
If you integrate this into your workflow, you can bump up the brightness across the board in Isadora using this Global HSL setup I threw together a few years ago: https://www.dropbox.com/scl/fo/bgvy2jp42mz78y0dkr3mj/h?rlkey=nv9f9k1wrmy394t0kzz37pejj&dl=0
@dbini said:
@Woland - OP states that they are not using a camera - i assume it is a HDMI out from another computer, into a capture device.
One of these days I really should learn how to read...
Hi have anyone managed to send audio from isadora to multi outputs on multi devices using Dante via ?
@fred Sure, for the encoders, but not for the faders. Motors compensate what you describe for infinite rotary faders I love that. The only problem with the Xtouch is that you have to reconfigure it completely before using it with Isadora. Faders spit out data on 2 different controller numbers as they are both on/off buttons on one channel and sliders on another channel. And this confuses the control watcher and even the different MIDI LEARN that exist out there as Isadora user actors. And there is more : the software that Behringer created to reconfigure all the controllers buttons faders and encoders on the Xtouch is pc only. I had to buy Parallel desktop too. The good news is that the Berringer software works well even if you don't buy windows inside Parallel Desktop. Anyone can use it with the non-customizable windows version that comes with Parallel.
@dbini I got that, but as for the capture it should be exactly the same. My card in a sonned usbc cabinet on mac is not the same mine is Decklink quad HDMI
@zedociel said:
The picture is straight from another mac (no camera involved).
You could do this in a completely different way by sending the image from one computer to another using NDI, thus eliminating the need for HDMI output / capture cards etc.
@tr742 I must say this doesn't sound like an Isadora problem. This sounds like a signal flow or hardware problem. Or a projector with a high lamp life or a different setting.
If it is in Isadora it can only be the Intensity of the projector. An effect (such as desaturate, or similar) or perhaps a layer issue which sometimes can happen with IzzyMap and you change the layer opacity on the slices.