Ahhhh, that makes so much sense! DusX, You're the man! Thanks for always being on top of it with the help :)

Oops sorry!

Thank you guys !!! Best Maxi

@Joachim

You fine it at the last input on the movie player called optimize.

Best Michel

@Woland  you're welcome. Thats one of the nice things here in this forum. people share ;)

here a screenshot 92f0f9-cattura-frattale.png

I think this will also do what you were asking as well, but uses actors to do fdb248-vamper.izz

@MatthewH Thanks!

I know that in this particular case it might not be useful, but in questions involving projection throw this projection throw calculator has served me well in the past.

Cheers, Woland

@Woland

Hope you find the TimerTool usefull.

You can post this as feature request via the official form ( see my signature) even though it was submitted before. So we can see that other people would like to habe that as well.

Best Michel

Dear @mark,

It just occurred to me that having the same system on Net Broadcaster actors would be incredibly helpful as well. Best Wishes, Woland

Hi,

I have been developing an interactive installation to help tell stories about the brain for an all ages Science Week event.  A couple of iPods with TouchOSC have been resurrected to get the whole thing going. The final presentation will be a large scrim projection intended to be visually immersive using a cylindrical gauze screen. The 3d models come from stock suppliers and have been processed in Blender to work as 3ds files in Isadora. There will be more electron microscope images and visual stories from researchers working with brain related issues, these will be integrated within additional layers. Any feedback and suggestions are welcome.  https://vimeo.com/170840419

@gapworks Thank you mate :)

Here is a new patch, with upgraded actors.0665ad-motiontracking.izz

@michel, thanks for the video. here is the patch on its current state, that generated the more recursive version of the video. as written above, would like to "expand" it to have more control over basic variations such as shape, color, level of delay etc. 95814d-circles.izz

Awesome, I'll try this out in the lab!

Dear @mark,

Thank you for your very clear and helpful explanations. All is happening so quickly, that's difficult to understand what is coming from the glsl language, what is coming from software implementation and what from the programmer skills… I try hard to have a good understanding of how to proceed and tutorial are not so easy to find, often cryptic and adapted to particular circumstances. The prospect to have some similarities between Isadora and Processing concerning shaders would be a great opportunity, looking at the number of people practicing Processing, the quality of tutorials and the life of the forum. But I understand for sure it will not happen tomorrow… You make a great work and I thank one more time you and your staff for your work and in particular for the great time we had in Berlin. Best Wishes, Jacques

Hi,

I had an opportunity to revisit AirServer with the 'Syphon Receiver' within Isadora. It has been around for a while and AirServer's implementation of Syphon is pretty good. I can see potential for Isadora to embed support for AirPlay.
Here are my observations notes and here is a link to the [screen capture of the test]

If you have a few Macs around with Isadora projects loaded you can composite their output via Airplay/AirServer/Isadora/Syphon Receiver. I had 2 x Isadora patches on different systems going to a 3rd control system via AirServer. I also managed combinations of iOS devices (a couple of iPhones and iPad). Using AirServer and Syphon to transfer the Isadora Stage video presentation from the 2x MBP source systems into a control system for compositing and outputting the third combined stage video presentation.

3 x MBP | OSX 11.10.5 | Isadora 2.2.2 usb & 2.4.5b09 usb | wireless network 5G | AirServer 7.0.1

Set up the control system with a dual monitor.

Create an Isadora patch on the control system to receive the 2 x syphon streams and place the patch interface on the second monitor.

Use OSX System Preferences/Displays on the source systems to activate AirPlay Displays send to the control system running AirServer.
AirServer takes over the screen on the control system : remedy, use OSX System Preferences/Mission Control/Hot Corners to activate a screen corner to display Application Windows (I have contacted AirServer about the implication of blacking out the desktop but got no response).

Start the Isadora patch on each of the source systems and output the stage.

By now the Syphon Receivers in the control system Isadora patch will offer the two incoming video streams at the nodes ‘Server’ inputs.

Composite the streams within the control patch to output as required.

One recurring bug : When using 'esc' key on the control system in AirServer (to get back the desktop) one of the streams was immediately terminated and the Isadora patch on the source computer crashed.

Not sure if the AirServer implementation is going to be comfortable in a show/professional situation, but with a few software tweaks by the developers AirServer would be very useful for multi-system compositing in Isadora.

cheers
bonemap

Call for contributions: IETM Fresh Perspectives #6 - Mixed Reality and the Theatre of the Future

For the new edition of our Fresh Perspectives series, we are looking for examples of theatrical mixed-reality productions, where technology plays an integral role in the experiential design process. Developed in collaboration with HKU University of the Arts Utrecht, we have invited senior lecturer and researcher Joris Weijdom as curator and writer of this issue.

Technological developments have an increasing impact on our daily lives and forms of cultural expression. More and more we exist in a mix of real and virtual environments in which we communicate and share experiences on a growing number of platforms. The film and game industry seem to have a strong focus on creating the ‘wow-effect of a perfect illusion’, blending seamlessly the real and virtual into an unambiguous experience – but what about theatrical arts, which is itself one of the oldest forms of mixed-reality experience?

This publication will focus on less effect-driven but more complex mixed-reality experiences from an artistic-narrative-philosophical point of view.

To find out more about the call and submit your contribution, please click the button below:
 

[Contribute](http://ietm.us12.list-manage1.com/track/click?u=1f35fe8d2e6166828b51f31ce&id=13d84a2873&e=6ec1a27aa4 "Contribute") **Submission deadline: 24 October**

Thank you both leben and skupture