Hi, it's been a minute since I have used IZZY, but I was curious about the DMX workflows. Now that we're in Izzy 4 (last time I used Izzy it was somewhere still in a 3 variant), what are the current best practices for sending and receiving DMX? I am mostly concerned about Art-Net and sACN because I never use ENTEC or USB DMX on my shows. I am interested in receiving cueing and show control data from an sACN source and doing projector dimming via Art-Net. Do you separate these out into indiviual VLANs on the machine? Do I have to do DMX over a single VLAN?

Hi friends,

Brand-new user here, please be gentle! :') 

I'm in the process of following the protocol to rescan all my VST3 plugins in Isadora USB Key (I quit this process during install, so went back and deleted the Preferences file, and it did re-start the scanning/validation process—KUDOS to the forum for helping with this!).

All of my plugins work fine in Ableton, but it looks like many of them have a Validation Warning in Izzy. Soundtoys and Native Instruments have a green check mark for Validation Passed, but UAD, Antares, and Aberrant DSP all have a "Validation Warning." 

Can anyone offer guidance as to why this might be happening & best practices on how to proceed? Should I just stick to the validated plugins and ignore the others?

In case it's relevant, I'm on an M5 Macbook Pro and many of the VST3s that come with a warning are connected to UA Connect / iLok. I don't have access to regular Isadora, only the USB Key version.

THANK YOU!