I'm using also M2 Ultra with 4 HDMI out and local one for monitoring. I just received a made in china video wall controller 1 in 4 out to see how that is performing. Have to test it first.

Hi all, 2 questions about Stage to picture . I have several stage to pictures in replacement mode named 1-8 . If there is no pictures in the bin, you ar not able to grab since it sees no picture to replace.. Could the initial mode be "when found no picture in the bin replace it anyhow" 

Second, an old one...Capture stage to A assigned picture bin :) or am i missing something? 

Cheers, Barney

thank you for the answer. 

Glad to read that you have logged this as a feature request, it 's really important for people working with alpha channel... (and isadora is, in my opinion, really made for this !!!)

So i will keep working in prores 444 (just have to slow down on layer's numbers and glsl ...)

artoo.

@craigw

After a quick browse, I suspect these cards will just work with Isadora's blackmagicdesign integrations as they are. 

Hi, any future thoughts about adding 2110 for outputs since Blackmagic and Aja are making PCI cards to stream 8 channels of video over IP?

https://www.blackmagicdesign.c...

We are very happy to share that the Venice Architecture Biennale has come to an end — and that Isadora ran non-stop for 7 months powering the immersive installation at the Argentine Pavilion !!

It has been an extraordinary experience to see Isadora sustaining a continuous, stable, real-time system for the full duration of the Biennale.

Isadora Latin Network, in partnership with Mexican visual artist Héctor Cruz, designed and programmed the immersive video projection device that accompanied the piece SIESTARIO — created by Argentine architects Marco Zampieron and Juan Manuel Pachue, winners of the national competition for the Pavilion.

Thanks to everyone who visited, supported, and followed the project throughout these months.

Big hug, Maxi Wille – RIL

@aolis

No problem ;)

I'd love to see this feature come about too. There's always so many good new ideas and necessary inclusions/fixes to balance. If I was rich I'd just hire a fleet of programmers myself to add all the features I want 

@dbengali said:

Would it be possible to adjust the behavior of isadora in a future update so that pixels on a display that are outside the boundaries of a stage do not pick up any pixel data from the edges of any stages that touch them?

Yes, I can log it as a feature request. It's certainly an interesting use case. I must say that I do find the stretched pixels kind of pretty though, and even know of Isadora users who also like this look and cause it to happen intentionally.

@dbengali said:

[...] I need to hand off a show file to users who may connect to various different physical displays at different time. Those displays have different resolutions that might be higher than the resolution of the stage, and are pre-focused in their venues in ways that can't be adjusted. They may not have the experience with Isadora to make a lot of changes. [...] The interface design of the first tab in stage setup for any stage makes it look like you can set a Custom resolution for a stage which will mean the content in the scenes always relates to that stage as originally programmed, but that the stage can be placed within a larger or higher resolution display by dragging it around to the appropriate location, without changing the resolution of the stage to Match Display. 

If you set a custom resolution for a stage and then move it to a specific point on a display, how would an operator who can't adjust things in Isadora be able to open Stage Setup and put the custom sized stage in the right place on the display that's now a different size? 

If the display isn't also being set to a custom size, the relative location at which you put the content wouldn't be preserved if you plug in a different-sized display anyway.

Custom-sized 480x270 Stage assigned to a Display that's 1920x1080:

Here's what happens if you then connect a 4k display to the computer (the stage stays at the same pixel coordinates, but this doesn't preserve the relative location or relative size of the content on the display):

@dbengali said:

This is coming up for me in some specific cases where I need to hand off a show file to users who may connect to various different physical displays at different time. Those displays have different resolutions that might be higher than the resolution of the stage, and are pre-focused in their venues in ways that can't be adjusted. They may not have the experience with Isadora to make a lot of changes.

In cases like these, I suggest making patches that can adjust themselves using the Get Stage Size actor (to figure out the size of the display you're working with automatically), Get Video Size (to figure out the size of the content you're working with automatically), then using Scaler, Chopper, Chop Pixels, Matte, and Matte++ actors and some math actors like Calculator and JavaScript to ensure that your content always ends up looking right on whatever size display is thrown at your patch. 

If you're compositing things from multiple Projector actors, you could also consider sending everything to a Virtual Stage first, then using the Get Stage Image actor to get the combined feed and manipulate all the content together as one video stream (also a useful trick if you want to combine all the video into one stream before sending it into a single mapped Projector actor so you only need to do the mapping in one place). You can even put in Control Panel elements to your Isadora Patch that let your inexperienced operators move the content around, increase the size, etc. Since you can publish properties from within IzzyMap, you can even make the mapping points and scale/location of the mapping slices adjustable via the Control Panel.