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    Flickering instead of fade with Jump actor

    How To... ?
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    • Michel
      Michel Izzy Guru last edited by

      @DillTheKraut

      I just did a test with two 4K resolution movies, the fade works fine in performance mode but does have it's trouble in interactive mode. Did you try changing the mode? And what codec are your movies? Does the framerate in Isadora match the movies?

      Best Michel

      Michel Weber | www.filmprojekt.ch | rMBP (2019) i9, 16gig, AMD 5500M 8 GB, OS X 10.15 | located in Winterthur Switzerland.

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      • jhoepffner
        jhoepffner last edited by

        Fading 2 4092x1668 movies is a huge task!

        What is the codec and how many Mb/s ? For test, do you try with reduced bandwidth? (half resolution, another codec, separate HD)
        For fade like that I would not use jump with fade but video mixer (if you have the same mapping) or separate projectors with manual fade or enveloppe (if you have different mapping). It seems to me that jump is not working so well for fading.
        Hope that helps

        Jacques Hoepffner http://hoepffner.info
        GigaByte 550b / Ryzen 7 3800X / Ram 64 Go / RTX 3090 24 Go / SSD 2 To / raid0 32 To
        MBP 13' i5 2.6 Ghz 16 Go / Intel Iris / macOs 10.11.6 / izzy 2.6.1 + 3.0.3b2
        MBP 15' i7 2.6 Ghz 16 Go / GTX 650M 1Go/ MacOs10.13.3 / Izzy 2.6.1
        MSI GS65 i7 3.6 Ghz 32 Go / GTX 1070 8 Go / Windows 10 / Izzy 3.0.3b2

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        • D
          DillTheKraut last edited by

          The Files are encoded with HAP at 90%. Lower quality is recognisable without much less size.

          ProRes needs much more resources and H264 can't handle the size.
          Fading into an empty/ black scene is no problem and works well.
          @Michel no differences between interactive/performane
          Which codec does your 4k movies have?
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          • Michel
            Michel Izzy Guru last edited by

            @DillTheKraut

            I have used .h264. As I know HAP is not that good on Mac as on Windows.

            Best Michel

            Michel Weber | www.filmprojekt.ch | rMBP (2019) i9, 16gig, AMD 5500M 8 GB, OS X 10.15 | located in Winterthur Switzerland.

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            • D
              DillTheKraut last edited by

              How did you encode it. Adobe board tools are limited to 2k.

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              • Michel
                Michel Izzy Guru last edited by

                @DillTheKraut

                I downloaded them from the web. Maybe you can give handbrake a try.

                Best Michel

                Michel Weber | www.filmprojekt.ch | rMBP (2019) i9, 16gig, AMD 5500M 8 GB, OS X 10.15 | located in Winterthur Switzerland.

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                • vanakaru
                  vanakaru last edited by

                  @DillTheKraut

                  I have never seen a size limit in Adobe apps. In AE you can create a comp as large you wish, the same goes for Premiere - unless you limit yourself to presets.
                  Also for rendering H264 there is a good explanation for best settings on this forum some time back. I do mine 10Mbs(10000) Main@5.1 - look good and play easy. If you need more quality rise bitrate to 15Mbs(15000).
                  All said that if you wish to use handbrake put out ProRes or other lossless and convert that. Handbrake should do excellent job.

                  MBP 4.1 & MBP (Retina, Mid 2012) MBP Retina 2017

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                  • jhoepffner
                    jhoepffner last edited by

                    Hello,

                    I exported without problem 2 H264 4092x1668 movies from a 4092x1668 timeline in FCP X.
                    I made a quick Izzy patch with 2 screen (1920x1080 & 1440x900), the projection splitted between the 2 (thanks to 2.1…) with a fade with video mixer, it works perfectly at 25 fps (my setting), lowering to 23,5 during the fade..
                    My machine is an old 2012 MBP with spinning HD!
                    Hope that helps

                    854828-testisadora.izz

                    Jacques Hoepffner http://hoepffner.info
                    GigaByte 550b / Ryzen 7 3800X / Ram 64 Go / RTX 3090 24 Go / SSD 2 To / raid0 32 To
                    MBP 13' i5 2.6 Ghz 16 Go / Intel Iris / macOs 10.11.6 / izzy 2.6.1 + 3.0.3b2
                    MBP 15' i7 2.6 Ghz 16 Go / GTX 650M 1Go/ MacOs10.13.3 / Izzy 2.6.1
                    MSI GS65 i7 3.6 Ghz 32 Go / GTX 1070 8 Go / Windows 10 / Izzy 3.0.3b2

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                    • D
                      DillTheKraut last edited by

                      Sorry guys,

                      i don't know how you do it in Adobe Programs. I don't have FCP.
                      Sure you can do a Stage up 30000pix per Stage in AE. The Fun part is, if you use Quicktime H264, it is limited to 2k. Only with mp4 as container it works above. But as i have some UVMap Files with more than 5000 pix, this won't work anyways. Fading with mixer or envelope works fine. But all the advances with using scenes are lost this way an programming a complex show is much more work.
                      I will try to combine it with one permanent active scene that is handling videos and fading, while getting values from other triggert scenes. Thanks to the new global values!
                      Thank you guys!
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                      • vanakaru
                        vanakaru last edited by

                        There are no size limits in AE. Make composition 4K. In Render Que choose Custom output module etc your size stay the same as your comp unless you click on resize and change it.

                        Premiere is the same. You can resize up or down how much you want. However you should use sequence sizes.

                        f5643c-screen-shot-2015-11-11-at-10.10.41.png

                        MBP 4.1 & MBP (Retina, Mid 2012) MBP Retina 2017

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