What's the strangest/most interesting thing you've done with Isadora?

Juriaan

Built an installation where people with a hearing disability could meet each other, and communicate using there voice. Built with Isadora and Max, we used there voices (And that is quite a weird sound) as input for a experience where light and vibrations met :)

Izzy controlled the logic, the controls and the lighting.

Max was responsible for all the sound inputs / outputs.

(All images are not meant for publishing without permission from the original authors..)

gavspav

I've done alot of strange things with Isadora but the strangest one to me (because it wasn't strange at all) was when I made a Powerpoint style presentation using Isadora for a funding bid interview. Seem to remember it had a few interactive elements.

I was expecting the interview to be casual but there were loads of people there and they all seemed pretty serious.

I'd just made the transition from Windows to Apple and realised before I started that I didn't know how to get a Mac to work with a projector. Doh.

I quickly looked around at the panel and they were all total mac media types. I figured I couldn't ask them how to do it as I would look like a right tw@t.

They weren't impressed with my Isadora presentation (I showed them on my laptop screen) and I never got the funding!

gavspav

@woland I used to do this with my Virtual Coconut Shy! The laptop was in the front of the van and I had to adjust the projector position by shouting to someone looking in the back of the van where the projection was. After several years I made an ipad control system where I could do it standing at the back of the van. It was blissful but I only used it a couple of times and went back to the old system!

ian

Wow. These are fantastic.

I've definitely had a few unusual usage cases myself where izzy has served as the superglue over the years...

of things that can be shared: salmon boat fish finder as interactive control for a video installation (via writing a NMEA protocol parser for the raw serial input); there's a set of household appliances that I taught to appreciate (and respond) to singing (and occasionally to sing themselves; a student's project where izzy helped mediate a live video interface for lizard - human dominance interactions; and a network performance project where izzy fed interactive audio cues back to old school analog cell phones on 5 continents; and to let a tired old couch / bed express its discontent with being sat on.

Videosmith

Excellent thread!

I once created a burglar deterrent at my studio. I recorded myself stomping towards the door, and playing music, and then used a contact mic attached to the door itself as a trigger.

I also ran a 'seance' in an old peoples' home using skype and isadora video effects. The residents would roleplay dead celebrities by skyping through the next room, looking ghostly with motion blur etc, and we'd ask them questions.

Skulpture

I had a group of students re-create pong a few months ago. It was very cleverly patched. Used Leap Motion and Kinect too.

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Woland

Two summers ago my best friend's father died unexpectedly. I was in the middle of tech for a production and couldn't be there for the funeral, but was fortunate enough to be able to take off for a couple days to go back home briefly. That night I built an installation using Isadora's capture to disk functions, a spare Mac Mini, and a Logitech C920 webcam. It had a Control Panel with instructions and buttons so that people could use it as a video letterbox to say goodbye to him, as a way to express thoughts and feelings that would have otherwise been left unsaid, or to record stories about him for the family. I left the equipment to be setup with a brief but thorough read-me with instructions. I had everything automated (opening the Patch on startup, starting the live feed, etc.) and I made it foolproof so that my father, who set it up for me and has no technical theatre background, only had to plug in the computer, webcam, mouse, keyboard, and monitor then turn the computer on; no knowledge of Isadora required.

I feel that it was the most meaningful thing I've ever created with Isadora but I still don't know who I built the installation for; was it for him, for the family, for the people who knew him, or was it for me?