Duration and OSC
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 For sure.. as soon as I used it I thought that its a fantastic partner to Isadora, and I agree with Matthew that I can seen a similar component as part of Isadora at some future point. 
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 Worth a look also.... [http://www.iannix.org/en/index.php](http://www.iannix.org/en/index.php)
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 As per my earlier post I just finished building the first draft of a set of user actors I'm calling Duration Toolkit that provide some pretty powerful functionality for cuing in Isadora using Duration. Key features include: -Automatic creation of a database of cue numbers and positions to allow easy jumping to a particular cue by number as well as effortless integration with MIDI Show Control-An Isadora based clock that Duration is slaved to while still permitting full use of Durations' built in transport controls-Built in error reporting and troubleshooting messages in plain english for easy configuration-Watchout style freerunning and looping movie playback and straightforward picture playback-Extremely resource efficient-Built in controls for jumping to timeline positions based on time, percent, or cue number-Creating staggered fades across multiple channels of video is vastly easier than with any other cueing method in IsadoraI am also working on implementing:-Movie playback that chases timecode-Full designer/tech controls with seamless integration-Cue names in addition to cue numbers-Jump cue type-Seamless integration with my master/slave and understudy/spare playback computer actors for easy cuing across multiple headless playback computers from a single master computerI'm using it on a show for which I am currently in tech and it is proving to be extremely stable and I will post a video of the programming/configuration process once I have a moment and in the meantime I have attached a screenshot. I honestly think that this is by far the most powerful and efficient cuing system that is currently available for Isadora. Even on this single channel show I am enjoying its benefits and on a show with numerous channels of video I think it will probably be pretty life changing compared to the typical approach of creating hundreds of scenes.
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 Hey MatthewH Once again this is something that sure took hours/days/weeks to get where you have it now. Just wanted to say thank you for sharing and inpsiring others. Best 
 Michel
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 Looks awesome... 
 Will you put together any tutorials? ;)
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 Ill definitely do a video demonstrating how it all works once I'm less busy. I definitely want to do some more work on them before I would consider distributing the actors and I haven't decided yet whether I will make them generally available. I forgot to mention this before but they are compatible with both OSX and Windows. 
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 Great to hear since I'm on windows. 
 I guess I have two things to hope for..
 1 that you decide to make them available (within my budget)
 2 that I get a project that warrants their use.
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 I'll do my best on #1. 
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 Looks brilliant. Not only have you cracked the whole communication/osc commands and stuff you've built an interface too! haha. Where do you find the time? :) 
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 The middle of the night, mostly. 
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 great! 
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 Duration seems to have kicked off a new trend... here is another type of 'timeline' app. [http://createdigitalmotion.com/2013/05/vezer-lets-you-control-anything-with-timelines-without-being-overly-hard-to-use-mac/](http://createdigitalmotion.com/2013/05/vezer-lets-you-control-anything-with-timelines-without-being-overly-hard-to-use-mac/)[http://www.vezerapp.hu/](http://www.vezerapp.hu/)
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 Looks nice. 
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 If this is as good as CoGe is then it would be great. Only it will not be free.
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 Well has anyone thought to use ableton live as a timeline tool? Sure it looks exagerate power just for that (like renting the top restarant in the world just to boil an egg. But it works. Isn't it? Or Audiomulch... 
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 Hi Armando, Live doesn't output OSC natively for what I know. I think you need to add Max4Live Mehdi
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 I know Mehdi. I was thinking about midi.... 
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 I'm also saying this because in my next project I use 6 channels of audio through matrix mixer and I cannot use the audio as a guide in Duration because I cannot chose outputs (nor spatialize ). I can use an audio empty track though. 
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 In case anyone is interested, you can check out the Duration actors I mentioned earlier here: http://matthewhaber.com/page10/contact-5/ 
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 I am playing around with duration and Isadora for a show and you can send play, stop and save directly via Isadora. Use the OSC Multitransmit actor for every message, for example as Mark said, put this /duration/play in the address field and this is important, set the inputs to 0 the default value is 1 and with that it doesn't work. Even though 0 doesn't hide the value 1 field. Best 
 Michel
 
			
		 
			
		 
			
		 
			
		 
			
		 
			
		 
			
		