@jandraka Wow jandraka !!! What a Find !!!! I didn't know command post. Thank you !!!!

This is super helpful. Could anyone advise how to sum and display  all the durations in Column D? I need to do a reality check on timecodes from cue sheets to make sure they don't exceed the duration on the show. Thanks In Advance!  :)

@ncwpg sure, the following worked for me...

Step 1: in Synethesia go to Settings and under OSC / Output:

- enable Output

- set Output Address to 127.0.0.1  (this is the localhost address used to send osc messages to other software on the same computer)

- set Output Port to 1234

- set Output Control Values to "Output Normalized Values"

- set Control Address Format to "Global Addresses"

Step 2: in Isadora go to Settings, then select Midi/Net and under Open Sound Control (OSC):

- set the IP Port Number to 1234

- set Maximum Packets to 250

- set Default Packet Size to 1024

- set Maximum Data to 4096

- then click OK to save

Step 3: in Isadora go to Communications / Stream Setup:

- set Stream Select to "Open Sound Control" (think this is the default)

- then tick "Auto-Detect Input" and voila (assuming you have an active audio feed going into Synesthesia), you should now see a whole list of incoming OSC stream addresses populated in the window (I get 34 sent from Synesthesia, documented here)

- then untick "Auto-Detect Input" and for each different "Stream Address" give it a Chan # from 1 upwards, in the order you want them to appear in your patch

- then click OK to save

Step 4: add an OSC Multi Listener actor to you Izzy patch:

- set "num chan" to match the total number of chan #'s you set in Step 3

- set "show addr" to on

- you should now see each output fluctuate with whatever audio you're sending in to Synesthesia

Rgds, Mr J

thanks Fred. sorry for the late response had a much needed vacation.

@dusx

Ok i sew your tutorial about that.. interesting!!

thank you

Thank you,

I will try. 

@dusx

Thanks for the help. I waiting to hear back from the NP developer. The app does get the information as text, but then outputs it as an image, I wonder if there is an option to see the original Traktor data instead.

I'll give the TCPIP approach a try. Thanks again for all the help! 

@reservoirducks

As my colleagues already touched on. Each single stream would need their own unique ID.

Marked this post as answered, if you have any follow-up questions please feel free to ask :)

@video-architect said:

Is Quartz still available?

It's still available but they're not ours (we just pull them in from the existing Apple architecture) and thus we can't do much about how they function which means that none of them have help text for the actors or inputs/outputs (so it's hard to learn or remember what many of them do) and they can be inherently inefficient and, in some cases, unstable. As far as I can tell, it's also quite uncommon to find people developing their on QC plugins, which used to be much more common.

@gapworks said:

but I'm afraid i cant upload the zip file. 

 If it's not letting you upload a zip file it's likely because it's over the max size limit, in which case the only way to share it here would be to share it via a Dropbox/Google Drive/etc link.

@woland

Thank you!

For some reason I couldn't get your user actor to work so I remade it with this one:

atem_switcher_selector.iua3

I have an ATEM Mini Pro and an ATEM TV Studio, and this is designed to choose the input from both / either.
One would need to change the name of the device in the OSC Multi Transmit Actor Address field to whatever you've named your ATEM device (s) in atemOSC.

Anyhow, a big big thanks to Peter Steffy from me for porting this over to Windows!

@armando Gotcha, thank you!

Hey community, let's put some more here. A world of Audio Unity is there to grab (free or otherwise). Here some more.  https://www.audiopluginsforfree.com/ and some more https://www.voxengo.com/group/free-vst-plugin-download/

hi guys,

is anybody here has managed to re-create the old 32bit freefame plug-in "Luma Offset" (which was in the Pete's Plug-ins add on folder)?

or do you know a shader or a FFGL wich could reproduce its behaviour?

thanks a lot if you have a solution...

@fred thanks for the info. I'll keep it in mind.

It's not very likely for me to try it in the near future. I don't find the time to play with ISADORA. And when I have a bit of it, there's a list of many other things to do and try.

Hi have anyone managed to send audio from isadora to multi outputs on multi devices using Dante via ?

@jisa

https://github.com/Syphon/Simple/releases

     Syphon.Simple.Apps.zip      

Best regards, 

Jean-François 

Just now I just installed the EpocCam 3.4 drivers on my Macbook pro i7 running on Catalina, and apparently the transmission works well because Isadora receives it very well, you just have to select the EpocCam instead of ElGato Virtual in the Live Capture Settings Camera. However, the Camera HUB application does not appear, so the camera cannot be controlled remotely.

Even the app's filters can be selected from the iPhone without problems.

@skulpture

Hi Graham,

In my opinion the issue is with Isadora being unable to interpret the anomalies in the mesh and therefore producing the error in rendering the model and texture. Blender compensates for the anomaly and therefore corrects the error in the mesh automatically. In other words the error in the mesh can be detected in Isadora when looking at the wireframe of the model. However it looks ‘normal’ on Blender and many other 3D software that interpret the mesh differently to Isadora.

Best wishes

Russell

@joe_pavey123

Are you referring to PoseOSC? If so all the info you need is on the Github page, including a link to the keypoint diagram.

There seem to be only 38 (max) tracking points.
Each seems to have a x,y, and 'score' value, so I think this is only 3*38 OSC values isn't it? Not thousands ☺

HTH

Mark (not that Mark)