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    • D

      [ANSWERED] Matrix Value Receive to OSC Transmit
      • DCMP

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      DusX

      @dcmp

      I would be happy to put something together for you. Please just try to describe what You are trying to accomplish clearly so I can put this together in a useful way for you.
      Is there a specific part of the video you want to control the lights? What is the light effect you are trying to get?

    • Y

      [ANSWERED] Is there a simple way of creating a silhouette of a dancer?
      • Yoshi

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      Woland

      See also:

      https://community.troikatronix.com/post/40886

      https://community.troikatronix.com/post/51632

      a bit dated but the concepts are helpful: https://community.troikatronix.com/topic/5467/body-mapping-with-isadora

    • T

      [ANSWERED] Video Fade-In / Fade-Out
      • TaroX

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      Woland

      @tarox

      Additionally, taking a look at the timing logic from this example file of mine might be helpful for understanding more about how to do this kind of thing: https://troikatronix.com/add-ons/random-media-random-duration/

    • T

      [ANSWERED] Triggering several Videos with Keyboard Watchers in one Scene
      • TaroX

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      Woland

      @jfg said:

      You need the absolute value to switch between 0 and 1. Without it will switch between -2/+2

       You can also go into the property inspector and change the min and max of the 'speed' input from -2 to 2 > 0 to 1. Then you can connect a Toggle to it directly.

    • W

      [ANSWERED] Jump to next with Scene fade times
      • WOTrombone

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      Woland

      @wotrombone said:

      Are there other ways to fade into the next scene with  a jump actor that use those times? is there a way to automatically grab those times?

      You could also just use one of the different Jump actors (for example Jump By Name) and set your fade times in the Jump actor. I usually don't use the Scene fade times and use jump actors instead. This might be a lot of work depending on whether you've already got a bunch of cues programmed. 

      Generally, I use a Background actor renamed to "#CUES" and put stuff like the Jump Macro you've built in there. Then I put that Background in the same place in every Scene (generally top right) so that I know where it is in any given Scene and, since the Background actor has been renamed to "#CUES", I can use the hashtag list to jump to it easily if I need to find and edit it.

      I tend to make a template Scene with the stuff I need most often and just copy-paste that Scene when I need to create a new Scene, then modify the copy. It'll already have whatever Jump actor I'm using with a default timing of 3 seconds in it, so that I don't need to manually set that every time and only need to change that number if I want a different fade time for a specific Scene.

    • T

      Using projectors in portrait orientation
      • thatmattrogers

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      T

      @woland Thanks for the Suggestion. Still - having this feature inside Stage Settings would enable the User to Safe the Setting with the Show. That would simplify Setup and reduce room for error, espacially in enviroments where we run multiple Shows from the same Computer. Cheers

    • E

      [ANSWERED] Challenge recording 1 hour, tomorrow
      • Eva

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      jfg

      @Eva

      another possibility on Mac is syphon Recorder. I use it always, it is easier to configure as OBS and it works very well:

      https://syphon.info/recorder.html

      Best regards, 

      Jean-François

    • J

      [ANSWERED] Very basic: Control LED over Isadora with Enttec ODE Mk2
      • JULES 0

      7
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      V

      @juriaan

      Thanks. Just found this topic. I assume it's all still relevant. Thanks this is just what I need as I'm setting up the exact same hardware.

    • M

      [ANSWERED] Complete list of actors?
      • mmharvey

      3
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      Woland

      @mmharvey

      In the program you can also go to Help > Isadora Manual...

      The section Actor Reference is what you're looking for

    • V

      [ANSWERED] DMX how to resources & actors. Just begining my journey into izzy and DMX
      • Video Architect

      7
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      Paz

      @video-architect here's a quick Izzy file with the appropriate actors. You just need to change the I.P. address of the ArtNet Send actor.

      Hope this helps! 

      Simon

      dmx-lighting-artnet-send.izz

    • Notdoc

      [ANSWERED] movie player pan audio
      • Notdoc

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      Notdoc

      @jfg

      thanks, that's a helpful suggestion. And yes, I'm running Blackhole so i can send it out and back using different channels.

      I'm guessing restoring that function within the movie actor is not likely to happen soon. What a pity Apple messed up Quicktime.

      thanks @jfg @skuven 

    • G

      [ANSWERED] Text to timecode?
      • gpeddino

      5
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      DusX

      And  I'll add in my set of Timecode Tools (user actors): TROIKATRONIX : ISADORA - DX – Timecode Tools

    • JJHP3

      How to warp a video mapping
      • JJHP3

      12
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      1051
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      DusX

      @jjhp3 said:

      point by point process

       Yes, only the selected points will move, and they all move the same amount. I 'stretch' type move would be a great feature request though. I will add this. 

    • mark_m

      RTSP stream into Isadora?
      rtsp obs ip camera • • mark_m

      3
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      mark_m

      @dusx

      Thanks, Ryan.

      It'd just be a stream from an IP Camera on the local network, so I think the OBS / NDI solution will work fine for my needs. 
      I'm sure you have better things to do with your time :-)

      Cheers

      Mark

    • Aolis

      [ANSWERED] How to Set the Scale Min/Max of Inputs in Pythoner Actor?
      • Aolis

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      Woland

      @dusx said:

      With that said, you use the standard method of mutating your inputs/outputs to the expected types. 

       @Aolis 

      These User Actors of mine can be quite useful for that: https://troikatronix.com/add-ons/mutator-user-actors/

    • G

      [ANSWERED] Timecode + moving through scenes
      • gpeddino

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      DusX

      @gpeddino said:

      And I want to create an actor that will read the incoming MTC and immediately jump to the correct scene.

       The question for me, is how do you find editing these timecodes to be easiest. I would build your approach around what you find easiest to edit/adjust.

    • JJHP3

      [ANSWERED] Isadora-> Syphon-> Micca player: inaccurate size translation
      • JJHP3

      3
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      JJHP3

      @michel Thanks Michel for the quick and helpful reply ~ will try.

    • T

      Working with subtitle tracks and feature length screenings through Isadora
      • thatmattrogers

      4
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      320
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      jfg

      @thatmattrogers

      OR

      Best regards, 

      Jean-François 

    • C

      Shatter actor?
      • Charlotte_E

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      Woland

      @charlotte_e

      I would also suggest going the GLSL Shader route. LLMs can do pretty well if you feed them the contents of Tutorial 3 here and the guts of one of the existing TT GLSL shaders as an example, so that they can understand the formatting requirements.

    • E

      [ANSWERED] Blend Maker - Force Stage Issue
      • emullis

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      CitizenJoe

      @eamon said:

      You can use the Brave browser if you do not have youtube premium. It removes all the ads.

       Off topic: I've never heard of Brave Browser before - it looks amazing. Thanks, for the tip!

      Cheers,

      Hugh