@DusX @Fred @GertjanB @Juriaan @fubbi Are the Windows-based Isadora Wizards. Perhaps one of you can provide insight?

@karlakr8 said: Any clues how to optimise Isadora 3 on a Mac?  Hi,This might be supper obvious, but I have had issues running Isadora with other apps open on the same machine - namely Microsoft Office programs and there is the old chestnut of the Adobe Creative Cloud conflict that may be an issue for High Sierra.

@citizenjoe thanks for the info, very nice page! I was afraid that my machine had some issue, fortunately it isn't the case. I would like that the sound player had the same features that the movie player... and the windows version these of the mac! Cheers, AZ.

I bit the bullet, sold the Z820 and am going to stick my current 5960x workstation into a 4U shorty case with a 1080 and assign it double duty as a render node and traveler workstation. While less portable than a laptop (I work 99% of the time in Toronto), I have become increasingly interested in (obsessed with) Isadora and think this change will make for a very sizable change in performance. Thanks again @DusX for the information you shared. 

I could only find a posting on this topic in the forum from 2012: http://troikatronix.com/troika...Is it still correct that a Mac Pro with a faster CPU will provide Isadora with better performance than a Mac Pro with more cores but a slower CPU speed? ...assuming the GPU, RAM and SSD speeds are the same on both computers? Specifically, would Isadora work faster with a 3.5GHz 6-core Intel Xeon E5 Mac Pro compared to a  3.0GHz 8-Core Intel Xeon E5 Mac Pro, both using the Dual AMD FirePro D700? thank you, Don

Added a bit to my original post about using the Data Array actor with textfiles, containing my controller and note values, to map my midi controller to parameters. It is a super useful actor that made quick work of mapping the controllers, and allowed for flexibility in making changes.

Viernes de 18 a 20. Arancel: $ 2.500.- mensuales. Sarandí e Independencia, San Cristóbal, CABA. El taller consiste en la realización de proyectos escénicos concebidos desde el cruce entre el cuerpo performático y la tecnología digital interactiva. Para eso se aborda en profundidad la programación en los lenguajes de programación visual Pure Data e Isadora, de manera de alcanzar el dominio necesario de las herramientas digitales interactivas para la escena. El taller no tiene un programa fijo, sino que los contenidos se adaptan al desarrollo de los proyectos y a las necesidades de los asistentes. El estudio de la programación consiste en la realización de trabajos prácticos orientados a la realización de los proyectos que surjan en el taller o que propongan los asistentes, que pueden ser individuales o grupales No se requieren conocimientos previos.Tecnología, Danza y Performance, taller en Buenos Aires

Dear @Woland,It was very nice meeting you last week and thank you for coming!Keep in touch!All my best,Shigezo