Yes, a circular patch such as that must branch in someway. This is both an optimization and a precaution (I beleive).

Generally this doesn't cause issue because you would want something to be 'done' with the value produced by the loop.

@Juriaan - and yes, Isadora saw the "example" file you sent me when I clicked the canvas.

Thanks DusX,

The FFGL does hue only.

Anyways, I'm wondering why this isn't already standard. It would do the edge blending what was asked now and then very well.

Best

Delil

@Reinhard: THX :)

Can someone else check if quads set to opaque adhere to fades? For me the just appear hard an do not adhere to any kind of scene transitions, with go triggers, jump, jump++

@Michel

Yes already have 

@kdobbe

Are you sending OSC messages directly to the camera?

Best Michel

@jhoepffner  Thank you for the info. We will keep exploring the set up we have achieved for now at least with the two channels and see where this takes us . If you develop the Max patch and happy to share would be interested in seeing it how it works. Thanks again. Lucie

@Reinhard

Thanks for that. I will keep an eye on the comparator.

Cheers 

Bonemap 

@Salimelo

You could try using the actors that have the option to  ignore their connected processes when a 'gated' parameter is enabled. These are the'Selector' and 'Router' actors. The Isadora manual explains these in more detail.

Cheers

Bonemap

@Juriaan  Thanks so much! This was a huge help.

@GertjanB I was just trying to build something where I could hop through any number of Scenes and maybe have another one or two active.

Thank you @DusX DusX,

that makes sense

Youu can only mainuplate the image in processing. It’s the processing code that is making the 3D visualisation. All syphon is doing is taking a copy of the output and sending it to isadora which is reciving a copy of image. 

So you can’t rotate the 3D image in XYZ space in isadora; only in processing. 

Hi. 

I found this out myself just a week ago. 

For now I have been using ni-mate. The free version works fine and the installer automatically installs all the drivers and background apps you need. 

I made a quick tutorial here:

@Salimelo I ran a show last year where I did everything but the live audio in Isadora on a Windows machine, and ran the live audio (mic input, effects, directional sound output) in Isadora from a Mac controlled by the PC Isadora. It was very simple to do using MIDI controls and/or OSC.
Secrets to success: 

1: using a dedicated router with DHCP to connect only these two machines and the iPad sending OSC messages via TouchOSC.
2. Assign IP addresses to the machines, so that the IP addresses are always the same.

@rgbbrett

Please find my Delay Gate User Actor attached in a zip, along with the screenshots I posted here.

Timing Jumps.zip

Here's a link to a post on my site that shows how to setup the folder you need to create in order to make use of User Actors in Isadora.

Cheers,

Woland

Hi, I completely agree with Gertjan and I recommend the reading of "Book of shaders" (http://www.bookofshaders.com)

You are a very good explanation for how it works. Here is the page for circle

https://thebookofshaders.com/07/

You just have to replace u_resolution with resolution, u_mouse with mouse and u_time with time and it works in Isadora.

I am preparing a patch with all the book sample in Isadora, I will post it when ready.

@danielcorbani

Try the «CI Gamma Adjust» / «QC Gamma Admust» (on mac) or the «Contrast Adjust» Actor (the «in max» input).

OR, try to correct it via color profile of your computer output.  

@vanakaru

I've been meaning to dive into JavaScript for a long time. Perhaps it's finally time to do so.