I have a patch, in which one scene causes Isadora to crash. All the other scenes work fine. I would like to erase this scene to rebuild it from scratch, but every time I open it, Isadora freezes or crashes.

Is there any way to erase a scene without activating it?

@fred

Hi Fred, Thank you for your time.

I am using a Logitech pro and an ASUSU ROG eye S. I have no extension cables and they go straight into my Mac Studio M1 computer. Also, I finally got them to work, but it took a long time to get them both showing simultaneously in Isadora. One in this case was with an extension cable, that in the end was not powered, but I also tried with the power on. I am thinking of getting an insta 360 Link - and I can see that there is now a version 2, that is a bit cheaper, is this still working like the Insta Link 360? 
Thanks for your help

Eva

Hi there,Sorry for the delay,
Im using 2 webcams that I tried both the USB ports and the usb  with an adapter. One is Logitech pro, like the one many in here use, and the other is ASUS ROG eye S. I am using a Mac Studio, it can usually run everything, so that shouldn't be the problem?All the best
Eva

+1 from me. 

I really want 1x4!! I think that request is already logged.

Cheers,

Hugh

Hi @woland

Any Update on this topic? If not, is there a good working workaround without big latency? 

I bought a BirdDog Play yesterday an like to do a small show on Saturday with it - i don't like to invest money into mitti ;-)

regards, Tom

@cambrucedavis

A plus one from me on this one:
Just trying to use a Datapath FX4 with a mixture of different projectors has proved... challenging. Being able to have custom splits would be great.

Solved! I updated to Monterrey (not Mohave sry) and its working! Yay world! 

@dillthekraut

Thank you, that all makes sense.
Making progress :-)

@Fred @Juriaan Thanks for your suggestions. I'm finding a way through...

Will post results and workings when I've got the final thing going.

Much appreciated everyone.

Hi @mark _m,

you might imagine the datapath like a single screen with what ever the resolution is, which you send to it's input.
What the walldesigner does, is setting 4 single frames like windows, which are cutting out a 'slice' of the screen for each output.

The simplest approach would be to set the EDID of the datapath at 2800px x 2100px (4:3) and send out 1400x1050 to all 4 outputs.
This would give you the simple way for the way @Juriaan described, but with the right aspect for a four split of 1400x1050.
But with this you would loose some of the possible resolutions of the first projector. The datapath is capable of managing different screens abd resolutions on each output. Even with tilted canvans.
The following would give you the optimal output and explanes, how the datapath actually works.

You set the EDID of the datapath and therefor the Output of your computer to 3000px x 2250px (adding the width and heights of the 1600 and one of the smaller ones). This will give you a 'virtual screen' with this resolution.
To define Output 1 you set it's top left pixel at position 0x0 and the resolution at 1600px x 1200px (pixel accurate 4:3)
This will 'cut out' a part of the  'virtual datapath 4K screen', starting at the top most left corner, going 1600 pixel to the right and 1200 down.
Output 2 top left pixel at position 1600x0 and resolution 1400px x 1050px
This will 'cut out' a part of the 'virtual datapath 4K screen', starting at the top edge, but 1600 pixel more to the left, right behind to the right of the first 'frame' for Output 1. If you'd start at 1700, you would keep out 100px between output 1 and output 2 (helpful if you e.g. put displays together for a screen wall and want to keep out the displays frames.)
Output 3 top left pixel at position 0x1200 and resolution 1400px x 1050px will give you the part beneath the first frame.

As it is late here, I might get on with Isadora tomorrow.
But short: You want separated stages, and not one big, spanning all projectors. But Isadora can't draw multiple stages on the same output. So you need to make one big stage with the full resolution on the display out, with the datpath attached. Then in each projector, move the output to the corner of the full virtual screen of the datapath.

@mark_m I don’t think you can do what you want to do. This part of isadoras stage setup is designed to have all parts of the larger screen the same size and resolution. 

A few things I would do - first 1900 x 1200 is not 4:3. I am guessing you are going to squash and u squash or use a blanking setting to get the correct aspect ratio from this resolution. What is going to happen to this signal. Which pixels are going to make it through?

I would create an input resolution that is 4x the maximum 4:3 resolution you can do and will work with your computer. If it can it seems like 3200 x 2400 is a good choice, as long as your computer will happily output this. Alternatively a simple uhd will be fine. 

Next you should be able to independently set the resolution of the data path outputs as well as setting a crop area where they are sourced from. Make these crop from 4:3 quadrants of your large source and set their output resolutions to the maximum native 4:3 resolution of your projectors. 

Now in isadora just setup the normal quad split with no blend, even if it is 16:9. Then use a user actor with a projector in it that uses the mapper to cut out a 4:3 area and position it in the correct part of the quadrant matching the source setting for that output in the data path. 

The part of the chain where you need to setup different resolutions for different projectors should only be on the output part of the data path. You still send it a full UHD signal or whatever you chose with even quadrants. Imagine the data path as a hardware mapper. It takes a source quadrants from anywhere in the input stream and scales it and outputs it to an independent resolution.