@vidasonik said:

scale min to 0 and scale max to 1

 Here you are telling this side of the system to expect values from 0 thru 1.0, it can't scale anything because it has no reference point. 

These min and max settings require that they exist on both sides of a link between actors. If on the first side you set min= 0 and max = 1, Isadora will expect values between 0and1 to be output, then on the other end of the link if min is set to = 10 and max = 30, the values from 0 to 1 will be scaled to 10-30.

This works in the same way as the Limit Value Scale actor.

I don't know what you full range of incoming values are, but if you use a Limit Value Scale actor, you should be able to scale to 0-1 or 0-127 depending on where you want to send that data.

@jjhp3 there is this https://genkiinstruments.com/p... and https://www.bonnersmusic.co.uk...

@vidasonik said:

if you think I should make any adjustments?

 It looks like you have all the smoothers set to smoothing = 0.2
That is rather low.  You might want to try 0.95 (this is a rather extreme smoothing) to see how that's, and then bring it down from there.

@Vidasonik 

You can also use the OSC Transmit/Receive and OSC Multi Transmit/Receive actors to send data between computers on the same network (so long as you know the right IP address for each computer)

@dbini said:

<p>You can use the Note Watcher actors. link one to trigger a value of 1 into the speed input of a player, link the other to trigger a value of zero into the same input.</p>

 Thanks a lot! This sounds very elegant and simple. I try this tonight.

@em_tx said:

TouchOCS Bridge

 From what I understand of TouchOSC Bridge, TouchOSC sends MIDI over the network (maybe using OSC or UDP) to the computer running TouchOSC Bridge, and Bridge forwards these Midi messages via virtual Midi ports it installs. So the whole process is done without OSC, it is a wireless MIDI setup, receiving MIDI means you have it working.

see: https://hexler.net/touchosc/ma...

@dusx

yes thanks! I take good mark of this encouragement link;-)

I will feel more relax with the datas of the show stored in a text document,
if I need to change the patch after the scene progression has been recorded, it won't be a big deal to modify the architecture..

bests, 

@mark

Great. Flawless. Exactly what I meant.

Thanks! Peter

@eager-iguana

Yes, this program is great and is the option I prefer on PC.

@skulpture

Thank you:) Ill try that tomorrow:)

@dusx
Well I think you are rigtht! The best solution will probably be to build one and learn on the way how all this works... I think I had a small hope that this time would be a plug and play experience, but it is not really :D So I will try and look into what I need and where to get it... Also, I saw that this is not the only device like that, but they are fairly expensive all of them...

Thanks though for the advice - I will see where to find things and probably get back...

All the best
Eva

I am glad it's working for you. The modification isn't something I am going to release as an update, since it breaks the resetting of the 'S'M'R' button lights.
I will post it here for others though in case its useful to anyone else.

DX - Korg nanoKontrol2 SMR blocked.zip

thanks! I missed the other post. I’ll follow that. There are interesting leads

cheers

@fubbi yes and it is useful to calculate the lenghtr of the curb ;)

cheers @deflost the Note Off Watcher actor does the trick

rgds, Mr J

Hi there @tomthebom 

In essense you can force the Push2 inside User Mode that allows you to map it as any normal 'midi' controller. You will lose the LCD options, but all other options should work fine, also see this article on their website

https://help.ableton.com/hc/en...

If you then connect it to Isadora you should be able to see the Incoming Midi Messages inside the Status and Monitor windows. If you know that you will be able to make some nice User actors / Macro's for it

@mark great session, although using MIDI in Isadora for quite a while, you can always learn. Was working last year on a project with a brainsensor connected to piano and drone synthesizers in Reason. Although a EEG brainsensor as such is a simple controller, it needs a lot of handling which is controlled in Isadora. Also the sound triggering and musical evolution, related to brainwave intensity and brain state are managed by Isadora. The baseline is that no other physical intervention is taking place and that the resulting sound is unique for its moment in time. Fun :-)

@clement

Thanks Clément

This is a bug that it doesn't work the same way when triggering it with MSC vs using the Spacebar. I will add this to our tracker.

For now, here's the easiest workaround I could come up with: This file (Fade Demo.izz) will make it behave the way you want it to (and also led me to discover a different bug involving trying to deactivate an activated Scene you're transitioning into mid-transition). If you're clicking around to deactivate Scenes mid-transition that you've already activated you may get an assertion dialog about failing to deactivate the Scene, but it you press "Continue" everything is fine.

The trick is to put a MIDI Show Control Watcher paired with a Text Comparator looking for the cue number of the next Scene (the one you want to "bump" in). When you hit that cue, it'll trigger the Activate Scene actor and bump the next Scene in.

Best wishes,

Woland

@maximortal

I respect ETC too much to not play fair with them.