@craigw

I haven't tested this, so I might be wrong (I don't spend as much time on Mac).
You may be able to route your audio to SoundFlower, then pic this up again in Isadora via the 'Sound Input' actor.
Then try the 'AUDelay' followed by the 'AudioDeviceOutput'.
This should allow you to grab the SoundFlower audio, add a delay and then output to the audio hardware being used.
I can't think of any other way to change the sync of audio/video at the moment.

@chronopsis

Great, I am glad you found a solution.

@bonemap said:

@ppp586 said:

invisible in the parts of my long name

 Hi not sure if you mean to extend the scene label? like this using the command key on Mac or control key on Windows:
http://g.recordit.co/ubeAeY5dHE.gif
Or the scroll bar under the scene labels
http://g.recordit.co/UdXIxhMmyC.gif
Best Wishes
Russell

 I really appreciate you to help me so quickly.

I get it.   Command+ drag , It is so easy in fact. 

Many thanks !!!

@cfat said:

The only reason I can think of for not buying directly from Troikatronix is some kind of bureaucratic / organizational restriction. Has the software resale business pretty much gone by the wayside? If not, who is out there? Thanks. 

We still work with resellers, as some institutions must go this route. Basically, when this comes up, we tell the institution to have their normal reseller contact us and we set them up to purchase for the institution. Certain states in the US require it, and also it is very common if the purchaser is a K-12 school.

Whether or not resellers are dying out, I cannot really say. 

If you need to purchase Isadora via a reseller, please contact us by opening a ticket and our team will help you work out what to do.

If you want your reseller to work with us, you should let them know about the Knowledge Base articles that will answer some of their questions.

Best Wishes,
Mark

Controlling the MA isn't the problem, that is easy, but it is the feedback from the desk to the midi controller. 

GrandMA only gives executor positions via Midi Show Control. So I wanted to catch this command to put the faders of the controller in position when the fader in de software changes

@deepblack67

Isadora can output multiple syphon streams at the same time. You have to set it for each stage in the stage setup window.

Ahh - thanks!

@mark Much better, thank you very much. The video is just a placeholder while not having the NDI-Streams for testing. The dancers love to have a space where they can "physically" touch each other and without the hard edge it will look great.

last post:

we fund this, it works super easy, we test the standing for longer time and will report.

https://obsproject.com/forum/r...

thx.

r.h.

...we ask because in the manual there are only four options in the drop down?

"

Isadora Manual96DirectionThe Direction drop-down menu determines which action you wish to set up with a Go Trigger. There are fouroptions.Next Scene. When the specified key or input is received, Isadora transitions from the active scene to the succeeding scene in the scene list. As before, this will create a crossfade transition between scenes if a Fade Out time has been specified for the current scene, orif a Fade In time has been specified for the following scene.Previous scene. When the specified key or input is received, Isadora transitions from the active scene to the preceding scene in the scene list. This will create a crossfade transition between scenes if a Fade Out time has been specified for the current scene.Go Forward. When triggered, sends a trigger to the Go Forward actors in the active scene.Go Backward. Sends a trigger to the Go Backward actors in the active scene.By default, only the ‘Next Scene’ direction is enabled. You can enable any of the others by specifying what activates each Go Trigger direction: Keyboard, MIDI, or HID.

"

thx

r.h.

@bonemap

The five band approach was based on a chart I got from IRN somewhere on the web. After studying your reply, I realized I did not have a working understanding of how frequency width and slope is used in the sound frequency actor. I built another izzy patch based on the seven bands defined in the Youtube video you referenced. 

Seven Band Audio Frequency Analyzer.izz

My plan is to work with this patch for awhile to get an understanding of how it responds to different kinds of audio stimulation. Then I will create a user actor that will become my Audio Frequency Driver for use in creating visualizations stimulated by audio. 

Thank you for your comments.

@mr_j said:

100 to +100 implies the stage is square but if it isn't (i.e. output is 1920 x 1080) how is the output scaled?

 Hi,

One thing that is confusing about the 3D Line actor is that the line weight itself (its thickness) does not change as expected when moving along the z axis. Normally you would expect a 3D object to gain in perceived size as it is moved closer to the viewport/camera. But that is not the case with this particular 3D module. Therefore, to create the illusion of the line being closer or further away you only have the Line Size property available. I don't know why it is the case — that is a question for @mark. I think it is to keep the line crisp and without  visual aliasing as it moves on different angles, although it would be good to have the ability to turn on auto scaling if it was an option.

Thinking in terms of scale is not quite right for the Z axis in 3D space. It helps to use the 3D Stage Orientation actor, because it represents the 'camera' or view port that is presented on the Stage and has a FOV (Field of View property). In Isadora 3D space the ratio of the video frame does not effect the calibration of 3D elements being configured. (if you were working with the Lines actor or Shapes which are 2d then the frame ratio will have an impact). It helps to think of the 3D space as a field of view of a viewport/camera frame looking at world coordinates in front of it. In fact the viewport is within the coordinates and can be moved in 3D space as well using the properties of the 3D Stage Orientation.

Best Wishes

Russell

Merci pour cette réponse rapide . 

A+ Thierry

@thierry said:

j'aurai besoin d'un peu d'aide . Je suis nouveau sur isadora et je n'arrive pas à convertir des ISF en GLSL Isadora . j'ai bien suivi le tutoriel ( Isadora Guru Session 11 vers la fin de la vidéo ) mais je suis sur pc et non mac .

Je peux utiliser Google Translate si vous souhaitez écrire en français. Je ferai de mon mieux pour vous aider. ;-)

Cordialement,
Mark

@msanii @ianpep 

The Zoom version that reinstates NDI virtual input for Mac OSX is as follows:

May 24, 2020 version 5.0.4 (25694.0524) Download Type: Manual Download here: Download Center 

Re-enable virtual camera support Support for virtual cameras will be re-enabled for users on client version 5.0.4.  

I can also confirm that it is load hungry coming out of Isadora using what appears to be about 30% of load resources.

Best Wishes
Russell

hi , 

sorry my bad, it was the nano control 2 macro that is all wired with comparators that was trigger all envelopes... I have to clean my version of it regarding my use...
maybe you can delete this post now !
debeug controller.izz

@bonemap said:

@mark said:

If it doesn't

 I could not get any of several ISF shader code to pass with your terminal app. 


Best wishes 
Russell 

 Hello,

For me no code to pass with terminal. For exemple :

"Error: could not open ~/Desktop/ISFConvert/shader.isf."

Best

J

@mark

Thanks Mark. I've attached some text files with the amended code here.

Looking forward to seeing what other people are doing with shaders.

All the best,

Andrew

TT Shaders with Alpha.zip

@DusX 

it's happen with any sound input source selected and the driver is updated. Anyway the Live capture working fine, so for now not that big issue.

Francesco

@goodboy

It might be a good idea, but you will obviously lose the flexibility that having the cameras through Izzy would offer you. You know, when the director goes ‘oh, I’d love to try this, can you do it?’ and you have to say no because the setup doesn’t allow it. It’s always that choice, flexibility vs simplicity.